Spatial
Synthesis
Volume II, Book 2:
Making It Clear: The Importance of Transparency
Sandra
Lach Arlinghaus
sarhaus@umich.edu
http://www-personal.umich.edu/~sarhaus/
ANNOTATED
RELATED LINKS
ALLEN CREEK

Semi-opaque
layers of flood waters at different contours allow the reader to look
through and see previous flood stages as well as what is already
present in Google Earth and in the stock of 3D buildings. Diving
through the layers permits one to see which basements lie below the
flood waters at various levels.
|
IMaGe
LINKS
The link in this
section goes to files presented to municipal authorities (at the 3D
Laboratory of the Duderstadt Center at The University of Michigan) to
visualize, in Google Earth, possible outcomes from displacement of
water due to the building of new structures in the Allen Creek
floodplain. The image above shows an overlay in which different
levels of water are visible. The image below shows an animation
of successive fillings of the floodplain to different contour levels,
from 770 to 900 feet. Both were used in conjunction with a
discussion of Archimedes Principle of Displacement ("bathtub
principle") to illustrate the difficulty of building new structures in
an existing floodplain. New structures will cause unintended
consequences when the "bathtub" is filled; the filling water that has
been displaced will overflow the "tub" perimeter.
In
Solstice: An Electronic Journal
of Geography and Mathematics:
Software
used in analysis:
- DevInfo
5.0: http://www.devinfo.org/
- Adobe®
PhotoShop and ImageReady
- Adobe®
DreamWeaver
- ESRI:
- Google
Earth®
Author
affiliation:
Arlinghaus,
Sandra Lach.
Adjunct
Professor of Mathematical Geography and Population-Environment
Dynamics, School of Natural Resources and Environment, The University
of Michigan. Executive Committee Member (Secretary) Community
Systems
Foundation,
sarhaus@umich.edu,
http://www-personal.umich.edu/~sarhaus/
Published
by:
Institute of
Mathematical Geography
http://www.imagenet.org
http://deepblue.lib.umich.edu/handle/2027.42/58219
October, 2008.
Copyright
by Sandra Arlinghaus, all rights reserved.